Monday, October 22, 2012

Force of national feeling in all great painters

«All artists who have attempted to assume, or in their weakness have been affected by, the national peculiarities of other times and countries, have instantly, whatever their original power, fallen to third-rate rank, or fallen altogether; and have invariably lost their birthright and blessing, lost their power over the human heart, lost all capability of teaching or benefiting others.»

(Modern Painters Ι)

Friday, October 12, 2012

The gift

That then which I would have the reader inquire respecting every work of art of undetermined merit submitted to his judgment, is, not whether it be a work of especial grandeur, importance, or power, but whether it have any virtue or substance as a link in this chain of truth; whether it have recorded or interpreted anything before unknown; whether it have added one single stone to our heaven-pointing pyramid, cut away one dark bough, or levelled one rugged hillock in our path. This, if it be an honest work of art, it must have done, for no man ever yet worked honestly without giving some such help to his race. God appoints to every one of His creatures a separate mission, and if they discharge it honourably, if they quit themselves like men and faithfully follow that light which is in them, withdrawing from it all cold and quenching influence, there will assuredly come of it such burning as, in its appointed mode and measure, shall shine before men, and be of service constant and holy. Degrees infinite of lustre there must always be, but the weakest among us has a gift, however seemingly trivial, which is peculiar to him, and which worthily used will be a gift also to his race for ever—

 “Fool not,” says George Herbert,
 “For all may have,
If they dare choose, a glorious life or grave.”

If, on the contrary, there be nothing of this freshness achieved, if there be neither purpose nor fidelity in what is done, if it be an envious or powerless imitation of other men’s labours, if it be a display of mere manual dexterity or curious manufacture, or if in any other mode it show itself as having its origin in vanity,—Cast it out. It matters not what powers of mind may have been concerned or corrupted in it, all have lost their savour, it is worse than worthless—perilous,—Cast it out.